Computer or tv monitor for use in the studio? What experience has anyone had?
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Hi William,
I would use a laptop monitor, but not that often, simply because it can be very harsh on your eyes. (my eyes are very light sensitive anyway).It's the same train of thought that looking too long into a bright sky, can change how you view the colours your trying to observe - so generally when looking into a bright light source, only glance for a few seconds..
Macpherson ( american plein air artist) ,writes that he uses a slide projector, that has the capability to project onto a t.v like screen or a wall. He sets the projector in from of him and responds as if on location.
Ideally I try to get the most information down outdoors as possible, as a photograph, particularly for landscapes, can flatten an image, the depth of field and nuances of colour can be lost.But for reference material,or a bit of tweaking they're extremely helpful..
Karen
Thanks all.
Since so many high resolution TVs now have usb ports for loading dig. photos and these can be very large suitable for mounting on the wall and be viewable from some distance thereby reducing the potential eye strain ( Karen ), I wondered if anybody had used these in the studio. Say 30-34 inches. So maybe better than a PC?
I'm thinking of moving in the direction you are suggesting William. I have used the slide projector and think this is the nearest thing to being on location. The drawback is that you need to have low light conditions in the studio and because you have the projector on the same slide for long periods of time the light/heat from the bulb begins to affect the slide.
John
Just use your memory! its more creative that way
I always take a photo of the scene, but usually only use it to post on my blog along with any paintings. I used to use them to check things afterwards, such as the shape of distant mountains, but the more I realised the inadequacies of the camera, the less I did this. If you think about it,
photos don't capture anything like the colours the human eye sees, so they are useless for that,
they can only differentiate between mid-scale values, overstaing most lights and darks (shadows have little or no value variation and are usually too dark, while bright areas such as skies and water come out looking white), so they are no good for that either,
and they don't even capture the shape of things accurately (unless you ave a few grand to spare for a high end one) - most cameras tend to stretch things horizontally, understating things such as the height of distant mountains.
I'm totally in agreement with Paddy on this. Forget the camera and you will inevitably produce more creative work, which will increasingly be more about you than the scene.
I have never used back up in this manner. It is tempting especially when one is dealing with the winter landscape. However I think one would have to be careful of "edges"
I agree with Paddy & Michael more creative to work from memory .. I do however take photos to refresh my memory but try not to slavishly work from them. Have used PC & Laptop just to skim through photos but never the TV (mine's quite old compared to the laptop/PC monitors).
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